| The Cold Vein | |
|---|---|
| Studio album by Cannibal Ox | |
| Released | May 15, 2001 |
| Recorded | 2000-2001 |
| Genre | Hip hop |
| Length | 74:12 |
| Label | Definitive Jux DJX007 |
| Producer | El-P |
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | [1] |
| Robert Christgau | [2] |
| CMJ | (favorable) [3] |
| HipHopDX.com | [4] |
| Pitchfork Media | (8.3/10) [5] |
| Rolling Stone | [6] |
| Rolling Stone Album Guide | |
| Stylus Magazine | (A+) [7] |
| The Village Voice | (favorable) [8] |
The Cold Vein is the debut album by American hip hop duo Cannibal Ox. It was produced by El-P and released on his Definitive Jux label on May 15, 2001 (see 2001 in music).
Contents |
The Cold Vein was the first full-length album to be released on former Company Flow member El-P's newly founded Definitive Jux record label, and its release was preceded by a significant amount of hype, particularly within the hip hop community. In late 2000, a split double vinyl single appeared on Def Jux, containing three new songs by Company Flow and two tracks taken from The Cold Vein: "Iron Galaxy" and "Straight Off The D.I.C." (see 2000 in music). These songs also appeared on the label compilation album Def Jux Presents, released on March 20, 2001. The first single, "Vein", was released in April 2001 with "A B-Boy's Alpha" serving as its b-side. The album was eventually released on May 15, 2001.
The Cold Vein was generally received well by critics, drawing many favorable comparisons to the 36 Chambers-era Wu-Tang Clan.
Many praised El-P's production work, with CMJ contributor Brian Coleman writing "Producer El-P, of the now-defunct Company Flow, gives this Harlem-bred and Brooklyn-based vocal duo of Vast Aire and Shamar what usually sounds like a full goth orchestra perched in a dank basement, with thick synth strings, simulated outer-space found-sounds and choppy, pounding drums." Allmusic contributor Jack LV Isles was also impressed by El-P's beats, writing "El-P (a serious candidate for producer of the year) lays out some of the most lushly intriguing sounds and beats that feel as herky-jerky as they sound gilded with silk."
The album was also noted for its profound lyrical content; many critics and fans felt Vast Aire's and Vordul Mega's lyrics painted a vivid picture of a poverty-stricken New York.[9] Gavin Mueller of Stylus Magazine wrote about "The F-Word", a song addressing unrequited love: "Moments like these show not only the skill of Can Ox’s MCs, but the potential for hip hop lyrics to work on as many levels as the finest English poetry."
The Cold Vein landed on many 'best of 2001' lists and even some best of the decade.[10] Online music magazine Pitchfork Media placed The Cold Vein at number 152 on their list of top 200 albums of the 2000s.[11] Rhapsody (online music service) ranked the album #5 on its "Hip-Hop’s Best Albums of the Decade" list.[12]
An instrumental companion to the album entitled El-P Presents Cannibal Oxtrumentals was released on 19 March 2002 on Definitive Jux. Allmusic contributor Victor W. Valdivia wrote "Mainly, the album sounds as if it were the soundtrack for an unmade film, much as the work Eno made in the 1970s, since the tracks have a distinct cinematic quality that allows them to cohere and flow beautifully."
The Cold Vein only broke through to the mainstream on a small level. However, its legacy has grown significantly over the years and the album is today widely considered as one of the best independent hip hop albums of the 2000s as well as perhaps the best album released on Definitive Jux.
Stylus Magazine who, in particular, had already heavily praised the album ranked it #17 on their Top 50 Albums: 2000-2005 link writing, "Vast and Vordul work wonders on the mic, of course—particularly Vast, who steals most of the album's tracks with his charismatic delivery and clever wordplay. But it's the beats that give the album its unique stamp. The muted five-note motif in "Iron Galaxy"'s verses; the wandering keyboard lines and muffled vocal samples in "A B-Boy's Alpha"; the skittering percussion in "Raspberry Fields"; it all works towards making Vast and Vordul's tales of the Big Apple feel more like they're pulled from Day After Tomorrow-era New York than the present-day version."
Sample information is retrieved from The-Breaks.com.[13]
| Single cover | Single information |
|---|---|
"Vein"
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"The F-Word" (expanded CD and vinyl single)
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